Wednesday 30 September 2015

Yr 10 Media: Induction Unit Lesson 4 - Textual Analysis

Year 10 Media Studies:  Induction Unit
Textual Analysis

 - The process by which a media text can be examined in order to identify what its meanings, messages and values are and how these are communicated to an audience.

Denotation and Connotation

Denotation

This term refers to the process of simply describing each element of the text.

For example "The girl is tall, slim and tanned.  She is wearing a tight fitting short red dress and is seated in the driving seat of a Mercedes convertible.  The car is on a sandy beach fringed with palm trees.  The sun is shining and the seas and sky are a deep blue colour. 

Connotation 

Connotation is explaining the associations and meanings audiences are likely to attribute to the elements described.

For example "The girl is wealthy and successful.  She has a celebrity lifestyle and is very glamorous. She is desirable and confident."




Wednesday 15 July 2015

Textual Analysis of Printed Images


Use the image to the left to complete a full textual analysis.

Begin by making notes using denotation and connotation as headings.

Monday 6 April 2015

Year 12 Media Studies - Audience

KEY ISSUES - AUDIENCE


Encoding and Decoding
Stuart Hall did influential research into how texts position audiences to respond in certain ways.  
He called the production of texts encoding and the meaning audiences take from texts as decoding.
—In the encoding process meaning is created by the texts’ producers and texts carry values and meanings related to the social and cultural background of the producer of the text.
The audience then decodes the text but may not respond to it as the producer intended

1) Preferred /Dominant Reading – This is when the audience decodes a text as the producer intended.

2)Negotiated Reading- This is when the audience agrees with some elements and disagrees with others.

3)Oppositional Reading – This is when the person decoding the text does not agree with the values and messages encoded in the text.

The Effects Model
An earlier way of explaining how audiences respond to texts is called the Effects Model or the Hypodermic Needle Effect.  This theory sees the audience as passive and the media can inject ideas and opinions into them.

The Uses and Gratifications Model
1.  Entertainment and diversion – a form of escape from everyday life
2.  Personal relationships  (the water cooler moment) – Pleasure in discussing media texts with others.
3.  Personal identity – pleasure in comparing your life to characters in media texts
4.  Information / education – To learn about what is going on in the world.

Year 12 Media Studies - Representation

What is representation?

A term used to describe how certain people/places/events/issues are presented to us by the media.
It is a constructed 're-presentation' of reality.
It is a way in which the media reflects and presents attitudes attitudes, behaviour and beliefs.
Representations vary over time.

What is dominant ideology?

Dominant ideology, when applied to an analysis of representation in the media, is a set of common values and beliefs shared by most people in a given society, framing how the majority think about that group of people. This is quite often in line with a stereotype or an often repeated idea or characterisation of a certain group of people.

EXAMPLE

The dominant ideology of gender in the media is that women are more sensitive, less physically able, less aggressive, more caring, better with children than men.  In contrast to this men are stronger, more aggressive, more prone to violence and usually the decision-maker.
These views are not an accurate presentation of reality but they are frequently seen and perpetuated in films and other media products nonetheless.

How to analyse representation:

First, examine the text and identify what the representation is of your chosen group of people/place/issue/event.  Do this by writing a list of adjectives which describe the dominant representation in the text.  If there is more than one representation on offer of the same thing then write two lists. You should also consider whether the representation is generally positive or negative, strong or weak.  Additionally, decide whether it is line with the dominant ideology or if it challenges it.

Next, you will need to look for ways that this representation has been constructed.  Think of this as finding evidence for the representation you identified in the first stage.  Choose several good strong examples form the text.  Be detailed and specific.  Try to use examples which utilise a range of signs and codes.  For example, an example of cinematography, one of diegetic sound, one of non-diegetic sound,  one of mise-en-scene and one of editing. 

You could consider the following areas when looking for examples of how representation has been constructed:
Appearance
Facial expression?  Clothes?  Jewellery? Stance and body language?

Sound
Tone of voice? Sound of voice? Soundtrack and music associated with them?

Setting
What sort of places do we see these people in or associated with?

Behaviour
What do we see them doing?  What are typical actions for these people?

Omission 
What or who has been left out?

Editing
What is the balance of the edit?  Who gets most screen time?

Reaction
What are the reactions of other characters to this person or people?  Accepting? Positive? Angry?  Lustful? Fearful?

The Exam

Representation could be the basis of EITHER question 2 or 3 in the exam.  You must be prepared to deal with either eventuality:

Representation in Question 2

If question 2 is based on representation then you will need to answer 3 parts.

Parts A and B will be both based on the texts you are given for question 1.  Both parts will ask you to so some analysis of representation in this text.  It will be focused on one of the main 6 areas of representation we have studied.

Part C will be a short essay (worth 15 marks) based on your own case studies.  This will be very similar to a question 3 but it is crucial to remember that it is only worth half the marks and you must not spend the same amount of time on it as for question 3.  Reduce the number of case study texts you discuss when writing a question 2C response but otherwise follow the guidance given for question 3.

Representation in Question 3

Question 3 will always ask you to base your answer on your own case studies.  It will be based on one of the following areas of representation:

Age
Gender
Ethnicity
Issues
Events
National/Regional Identity

It is crucial that you know your case studies very well and also that you have already decided and memorised which textual examples you will use from each one.  Below you will find links to each area of representation's own  page.  On this you will find a great deal of information to help you analyse each text and identify the key representations and textual examples to support them. 

CASE STUDIES

Gender
Case Studies: Bad Boys 2 (extract), The Dark Knight (extract), Turn the Page (Metallica - music video).
Click here for more information

Age
Case Studies: Derek (Series 1, episode 4),  Young Apprentice (opening), The O'Reilly Factor (coverage of London riots)
Click here for more information

Ethnicity
Case Studies: Bad Boys 2, Sonos Advert, Attack the Block (opening)
Click here for more information

Events
Event 1:  The London Riots - The O'Reilly Factor, Riot From Wrong 
Event 2:  The World Cup Bid in 2012 - Channel 4 coverage, Russia Today coverage
Click here for more information

National/Regional Identity
London - The O'Reilly Factor, Riot From Wrong
Essex - Essex Boys, The Only Way is Essex
Click here for more information

Issues
Issue 1:  Youth Violence - The O'Reilly Factor, Riot From Wrong
Issue 2:  Body Image - Heat Magazine, Dove Real Beauty Campaign
Click here for more information

Year 12 Media Studies - Textual Analysis

Wednesday 2 October 2013

The Haunting Extract

Analyse this extract and then write an essay with the following title:

An Analysis of Cinematography Creates Effect and Meaning in a Sequence from The Haunting (Robert Wise 1963)